They Tried To Bury This One In The Movie Itself

Okay, let's face it. I'm a guy. Guys aren't always the smartest critters on the planet. Actually, if you ask a lot of women, they might have a lower opinion of guys, but we'll just go with the concept that guys aren't too bright sometimes.

We do things for, well, no good reason we can explain other than, "It seemed like a good idea at the time." What that often means is either "I wanted to" or "My little head was thinking for me" or somewhere between the two. We react and act on basic stimuli: hunger, competition, comfort and sex, or, ideally, something that involves all four. (Basically, making it with the pizza delivery girl on the couch after being the first person in the apartment to answer the doorbell.) Don't ask us to justify these stupid actions. Either shake your head in confusion and just keep loving us, or call a good lawyer. The former option can sometimes be easier, but not always cheaper.

Given that men will, and do, make stupid choices based on stupid impulses, we come to today's film of choice. I was with a lovely lady who loves me dearly, and we were in Big Lots. If you don't know this store, they sell stuff that other stores wanted the hell out off their shelves because it wasn't selling. Big Lots will discount the living snot out of it and hope some happy slack-jaw bozo will help out their bottom line. Well, meet a slack-jawed bozo. I bumped into a rack of $3 movies within 20 feet of the front door, and I forgot I was with anyone. I pulled a few flicks out that I felt I needed, and grabbed one that, well...I bought it based on a flashback to a sexual response to a celebrity.

Kathy Ireland was, and still is, a stunningly attractive woman. Okay, to hell with it, she is hot. She makes me whimper. I'll stop there to spare myself further embarrassment and the potential for lawsuits based on extremely crude comments and references. There I am, holding up a copy of Alien From L.A., and my companion leans her sweet head on my shoulder and asks, "Is that a good movie?" Huh? Who are you, and why is your head on my shoulder? Then I could smell the top of her head, and my senses, such as they are, came back to me. And, to my credit, I was honest. "This? Not that I've ever heard, but I've wanted to see this movie since it came out." She looked at the cover carefully, looked at me, winked and said, "I'll bet she had nothing to do with you wanting to see that." Sweet sarcasm.

Kathy Ireland had EVERYTHING to do with me wanting to see that movie. Okay, it is a fantasy film, but it has Kathy Ireland. Huh? Need I say more?

Normally, a movie that I buy will sit around for days, weeks, months and, in a few cases, years before I get around to watching them, if ever. I had this thing in my DVD player inside of 24 hours. Practically a record for me. And then Karma started in with the bitch-slapping.

Never seen Alien From L.A.? Here's the basic story. Ms. Ireland's character is a poor waif who is dumped by her hunky boyfriend because she is so timid. Her mother died years before and her father is always gone while he explores the world, looking for Atlantis. She gets a letter one day stating her father is dead, having fallen down a endless pit, and that she should travel to the far side of the world to help settle his affairs. Plucking up her courage, our lovely heroine takes the offer, and, in short order, follows her father down the same hole in the ground. Does she die? We are not so lucky. It seems the hole drops straight down to the underground world that hosts the Atlantian people. Realizing her father may not be dead, our heroine sets out to find him while being hunted down as an alien.

You know, when put like that, it sounds like a pretty good set-up for a movie. And considering you get a shot of Ms. Ireland looking rather fetching in a bikini very early on, you might be thinking you've landed a good deal for only $3. Sadly, her character opens her mouth and all hope bolts for the door as it waves a gun at you to cover its escape. Her voice is...hmmm...fingernails on a chalkboard are like Mozart in comparison. You fear your ears will bleed. What makes it worse is that the voice is affected. You can see her straining at times to speak as she does. Why? So there could be a couple of throwaway jokes about that being her "real" voice. I hoped that something would happen to the character that would make her voice normal. Don't waste your time hoping. It doesn't happen. I suggest having a dentist drill your teeth each time she speaks; it will be comforting in comparison.

Even if you put her voice aside, the movie itself is, well, just sad. You can tell the writers were going for a goofy adventure movie. Director Albert Pyun gives it a try, but he just doesn't seem to balance the comedy with the chase sequences. It looks like he wanted to make a tribute to Big Trouble In Little China, but the comedy and action pull in different directions, unlike the movie he was imitating. The whole thing is dark, drab and why the hell does everyone living underground dress like rejects from an 80s retro rave? The humor is cheap and light to the point of not being there. It isn't fun, it isn't terribly exciting, and Ms. Ireland spends way too much time wrapped up in way too many clothes. What? You thought I wanted to see this for her thespian nature?

Am I going to keep this? Yes. Will I watch it again? Wow, that's a tough one. Maybe. Perhaps I'll play a CD of jackhammers on a New York street corner instead of listening to the movie. I just figure holding on to it will be the perfect thing in case anyone EVER wants to play a bout of one-upmanship on "I can't stand so-and-so's voice." I'll never lose with this tucked away in my collection.

And Ms. Ireland will be eternally heavenly in her bikini. That's worth $3 any day.

(I have to give thanks to Andrew Borntreger and his web site, Badmovies.org. While Googling this film for good screenshots (Yes, I'm lazy.), his site had the best, and his review of this film is far more detailed than mine. God help him, he can't be right in the head after watching this film enough times to get that level of detail. Please, send contributions and letters of sympathy to his family. We can only hope he didn't expose any of them to this film.)

WARNING! This Youtube video of the trailer has a VERY LOUD VOLUME! Be warned that this trailer also contains a sample of Ms. Ireland's voice. Please wear appropriate ear protection. Thank you.

I Don't Feel So Super, Superchick

We are back to the subject of being misled. It happens. Someone makes a simple comment with one thing in mind, but the wording suggests something completely different. There is no intention to mislead you, but it happened just the same. When I was a kid, we were at my grandmother's house, and we were bored senseless. Rain outside and nowhere to go except the living room. My cousin is looking through the TV listings and he suddenly shouts, "Iron Man comes on in ten minutes!" We were giddy with anticipation. We tuned the station in and waited. The movie started. We were treated to boxing. I had no idea that Iron Man started out as a boxer. I just wanted him to turn into a superhero and start kicking some butt. After nearly 30 minutes of talking heads and boxing, we knew we had been had. Yes, the movie was called Iron Man but it had nothing to do with the comic book. What a let down.

When you find a movie called Superchick, you kinda have some expectations. But I had seen the trailer, so I wasn't utterly uninformed. She wore this tight black outfit. She knew what passed for martial arts and kicked the snot of three guys. She flashed her ample assets in bikinis and funky 70's style clothes. She has a secret identity. Okay. That pretty much sets the tone for me. I mean, really, this simply cannot as lame as Phenomenal. Right?

I must have read the messages from the trailer all wrong. No superhero. As this little film unspooled, I had no idea WHAT the hell I was watching. Okay, so I'm not the most reliable person when it comes to understanding things. I had a woman ask me back to her apartment in the middle of the day, and I told her I wanted to go to a used bookstore. D'oh!!

See what you make of this. Superchick is known as Tara B. True. I'm not kidding. As an airline stewardess, she is a mousy brunette who wouldn't mumble "Crap" if someone squirted a pile in her mouth. She leaves the plane without the slightest hint of recognition from her crew mates. Once inside the terminal, she slips into the ladies room, and seconds later, the mousy lady is gone and we have the buxom, sexually-potent, blonde bombshell we paid our money with shaking, sweaty palms to see. She is confident. Her shapely legs stride proudly as her lovingly curved hips sway from side to side. Both men and women stop and watch her pass. She is stunning. She is incredible. She IS Superchick.

Do we see her dashing about saving the world, the downtrodden, or, at least, some kittens stranded in a tree? Nope. She is met by her East Coast lover who never touches her due to a phobia, but still manages orgasms by talking himself into a frenzy. Then she is back to the plane as Ms. Mousy, jetting away to her next lover, a pop idol who is doubting himself and sees Superchick as his Muse. Then it is back into the air to her next fling with a guy who lives on a boat and is financially in debt to a shady character.

Between juggling these three bozos, she manages to hang out at a pot party, beat up Dan Haggerty and his biker buddies, helps a young Marine raise his flag pole and finds her open-minded morals tested by a dirty-minded John Carradine. All this while keeping her two identities in their own little worlds. So, yeah, that would take a super chick. Now you can sit there and analyze the implications of what you are seeing. You could suggest that it is about the development of women's sexual identity, or the real world versus empowering fantasy. I think it was just a case of the producers attempting to throw enough crap at the walls with the hope that something might stick.

The movie has potential, but it never seems to figure out what it is and so the whole thing ultimately just sort of lays there. It's appealing enough. Face it, Joyce Jillson, for all of her bleached blond hair, is rather cute, and though there isn't much nudity on her part, she does flash enough to make you keep your eyes on the screen. It is fun to watch for the direct references to the fact you are watching a movie, and no one seems to take the thing very seriously. Neither should you. Just let it play and kiss your money goodbye. You could have done worse; you could have bought a movie with Mariah Carey in it.

To save yourself money, I recommend buying the 20-movie set called "The Exploitation Cinema Collection" sold at Best Buy. No, I'm not advertising for them, but if you buy this on it's own (well, you get a double feature with "Policewomen"), you're gonna spend 10 bucks and the 20 movie set is only $20. Do the math. Even if you only watch half of the 20-movie set, you've spent less.

(I offer a humble apologies to XTC for borrowing a line from one of their songs for the title of today's review. I love your music, lads.)

Debra Blee: Naked and Wet

I'm sure I speak for both sexes when I say that, at some point, all of us had a crush on someone in the movies and/or television. A certain person who, when he/she comes on screen, makes us perk up. Even when we are too young to understand sexual attraction, we know that there is something about that person that makes us feel funny, good or confused, but in a VERY pleasant way. One of mine was Goldie Hawn back on "Laugh-in". I couldn't bear to miss a second of the show in case she was dancing in a bikini with all those goofy phrases written on her skin or she might flub a line and laugh, and my god, wasn't she just wonderful!

Sometimes, things carry over into our adulthood. Like acne or baby fat. This "crush" thing continues with me to this day. It works a little differently these days. I mean, if I see someone who appeals to me in the here-and-now, I tend to have a little more detailed idea of my attraction. I'd call that "lust". Still, I find myself developing crushes, but they only exist for women in the older movies I watch. Most of these women have now either passed on, are up in their 60s and 70s, or are missing in action. I'm seeing them as they were 20, 30 or 50 years ago, their beauty and charm locked away in film. But, oh, how that attraction can still tug away at me!

I've been watching far too many movies of late, so a lot of them tend to blend and blur together. One of them has stayed at the top of the cesspool of memories. It isn't because the movie was very memorable. It isn't because the action was incredible. It was due to one person. The amazing, the lovely, the heavenly Debra Blee.

The movie? The Beach Girls. One of the seemingly endless Crown International films that kept drive-ins in business until the late 80's. They threw horror, action, drama and comedy movies in every direction, most with the exploitation factor cranked up, but never over-the-top. The object was what would horny teens and college students part with their money for. The Beach Girls is a prime example of this formula.

Take three pretty young girls. Put them in a beach house with no parental guidance and provide them with sex, booze and trash bags full of weed. Slam the clapper shut and yell, "Action!" In an attempt to provide some break from the bouncing breasts and corny drug humor, they added a Coast Guard cutter looking for some bad guys who are smuggling in the weed. But for fun, let's make the Coast Guard crew the "butt" of a lot of gay jokes. Very, very nice.

As I suggested, the film itself isn't wonderful. It is inoffensive. It hits its marks and provides enough cheap humor and attractive women to keep a person from getting bored. If you can live with the occasional inserted bit of a bikini-stealing dog lifted from Malibu Beach, which is, if you can believe it (he says with tongue in cheek), very similar, you might even find yourself glancing at the screen more than your date might like.

Given all the things this film has going for it, for me, they all pale when Debra Blee is on the screen. Is she a great actress? Not really. She doesn't come off as Oscar material, but then she basically has to look fetching and not sound like a bubble-brained bimbo. She has these big eyes that draw your attention. She moves about in such a timid fashion that you just want to protect her. She is simply wonderful to watch.

Watch carefully, though. She stayed with the film business for only five years. She made a few more films, notably Savage Streets with Linda Blair and Hamburger: The Motion Picture, and did a few TV shows. Then - POOF! - she vanished. Oh, Debra, where have you gone? You are only 50. I'm sure you are still a lovely woman. Treat us to an appearance in SOMEthing.

Okay, okay, enough praising a retired actress of films of questionable quality.

You can find The Beach Girls on BCI's "Welcome To The Grindhouse" double feature teamed up with Coach. I'd actually recommend going to Best Buy while you have the chance and buy the 20-movie "The Exploitation Cinema Collection" as it was made just for Best Buy. It's 20 bucks and so worth it if you want to relive the late 70's and early 80's theater experience with trailers and snack bar commercials. BCI has been restructuring and, as sad as it is to say, this kind of thing is being killed off due to short-sighted executives. Grab it while you can.

In the mean time, enjoy the screenshots of Ms. Blee. I know I do.

How Cheap CAN You Get?

There are times that you know you just cannot belly up the ducats for, well, anything. Okay, maybe some Ramen noodles. But if you want protein to go with that, yer screwed, dude. So there is a similar situation for those of us who love their movies cheap, in every sense of the word.

Wait, don't think that I'm referring to myself. I mean, hell yeah, send me free movies and Ramen noodles and cash. All worthy donations will be accepted, and anything offensive will either be trashed or turned over to Homeland Security. Heck, I've been buying movies like idiots buy whatever drops out of Oprah's mouth. And I eat somewhat better than Ramen noodles, thank you. (Not that I have anything against Ramen noodles.)

Having cleared up any confusion, I do understand that others aren't as fortunate. So I'm going to introduce you to a resource for the downtrodden (who can somehow afford a high-speed internet connection). Okay, it can be used by people who can't cough up $100 bucks for a VHS copy of a some obscure movie on Ebay. It can also be used by tight-ass misers.

Go to cultrararevideos.com. A great place to score public domain weirdness. And not the usual suspects, either. Just a word to the wise...and the cheap.

There. I've done my random act of kindness for the day. Now on to the reason for being here. Wait, you thought I was gonna pimp someone's site and be done with it? Forget that. Like I said, I've been kind. Now I heap the cruelty on with a shovel.

The references to food haven't been without reason. The main cause of food being brought up is the fact I'm hungry. How's that for honesty? But it also plays very well into the theme of today's film. Actually, the title is enough to send me into the kitchen. Of course, after watching this movie, food doesn't seem as appealing. And not for the obvious reasons.

We are gathered here to take a look at Lunchmeat. No, really, that's the name. Yeah, I thought the same thing. WTF? And if you look at the cover of the VHS, you'll get an idea of where this might be going. Also like the cover, this ain't gonna be pretty. Kinda like painfully ripping off that Band-Aid and finding a festering maggot hole. Okay, maybe not that bad.

Here's the disposable plot: City kids fall prey to a family of cannibals. Yup, that's it. Where have we seen that one? EVERYWHERE! We'll cut this one a little slack. It was from the 80s. Anything from the 80s has to be looked upon like the mentally challenged cousin everyone ignores as he messes his pants and plays with food on YOUR plate. Hey, I love the 80s, but that doesn't mean I can't look at it realistically.

The build up to the slaughter is enough to break a person. The family of cannibals actually happen to be the most interesting part of the first 30 minutes. They seem to barely tolerate each other. They scream at each other. The father whips the hell out of the brain-dead "baby" of the family who just wants to eat anything he can wrap his porky fingers around. That would be him on the cover art. Paw, Elwood and Harley are the others and they insult each other happily. Elwood just wants candy bars and should be requesting a box of Depends instead. All of them need to take long baths.

You lose all interest in the group of cute city kids the instant they hit the screen as they are offering up a jolly rendition of "Row, Row, Row Your Boat". Before they finish the first chorus, you want all of them to die horrible, painful, bloody deaths. You don't want to wait. You want it before they start on the next round of that damned song. What you want is not on the filmmaker's mind. The pain continues. Like gargling with Pop Rocks and minced sheet metal, you suffer through the development of these morons in what I can only guess is an attempt to make you care for them. It doesn't work. I was fantasizing about how they should die before they even get within a mile of the cannibals. You will do the same. You actually hope the story will switch back to the smelly, rude and incontinent cannibals.

Soon enough, the kids are ambushed by the wacky family, and everyone scatters into different directions. Okay. So the last unbearable 30 minutes of developing the struggles and character conflicts of these people are rendered pointless? Damn it, I could have been repainting the house. Worse yet, the ONLY character I halfway liked gets slaughtered two seconds after she steps out of the vehicle.

As has been pointed out in other reviews, the film then turns into an hour-long chase that is the film's highlight. Yes, it is cheesy. And, yes, the effects are cheap. Of course, you see the same bits of background when there shouldn't be repetition. Still, given the insanely pathetic budget, you kind of get sucked in, even if it is on a "Good Lord, what are they gonna throw in next?" level. Really, it is the whole last hour of the film. A chase.

Really.

The other thing that everyone seems to bring up when discussing this film is that one of the female leads went on to have a long career in the porn industry under a different name. A bit of a shame. She is the only one in the whole film who seems to understand how to act, although she has some bad moments. Her hair threatens to overtake every scene it is in, and she should be thankful there were no pyrotechnics as that hair would have went up faster than a pedophile's hand when they called for volunteers to join Big Brothers, Big Sisters.

Overall, the film looks like crap as it is most likely dubbed off a VHS tape, but the quality looks shoddy anyhow based on the fact it comes off like a video feature transferred over to film. At least the sound is decent and too good in some shots as you can hear the camera running. The direction? Kirk Alex wrote, produced and directed this. Given what he had to work with, he didn't utterly embarrass himself. Sadly, he never followed up on what has become a bit of a minor cult hit.

Hey, if I couldn't say anything else nice about this movie, I could at least be proud of the fact it didn't cost me more than the time to download the file.

P.S. Like a dog with a bone (there are those food references again), I just keep poking into this film. First thing, the image I have at top shows DVD in the bottom right corner. No legit DVD release ever that I am aware of, but I'm happy to be corrected by anyone who wants to send me one for free. Second thing, the VHS release was by...TAPEWORM VIDEO!!!! Okay, I thought it was funny.

Whip Me, Beat Me! Satan, You're Such A Naughty Boy!

The one of the best things in the world about crap movies is the anticipation that the title alone can create. Who doesn't get a thrill from titles like "Blood Shack," "Invasion of the Blood Farmers," "The Killing Of Satan," and "Chain Gang Women"? You get all of these wonderful mental images of weirdness and violence and the chance of nudity. (Let's be honest here. Guys are the primary audience for this nonsense. Women usually have better sense.) The reality of the movie most often does NOT live up the promise of the title. Is that really the filmmaker's fault? Usually not. They either give you a fairly juicy-sounding but accurate title, or they give you some title that could mean anything. What you make of it is up to you.

Given a title like Satan's Slave, you have a number of images that can crowd into your brain. Degrading behavior, kinky violence and Ol' Nick popping in for a bit of slap-n-tickle maybe? After seeing the stunning Candace Glendenning, you can't wait for the naughtiness to begin. And you know from the opening sequence that her amorous cousin has a passion for rough sex. Don't forget the burning deaths of her parents and her menacing uncle played by Michael Gough. Oh yes, this is gonna be tasty.


Break out the unsalted crackers and the warm milk. Oh, sure, there are a few kicks and thrills, but really, you want a visual and visceral experience. Go watch Jerry Springer.

The set up: Out of the blue, Candace's mum and dad hear from dad's long-lost brother who invites them to spend the weekend. Wouldn't you know it, but just as they roll into the drive, Dad has a seizure, smacks into a tree at around 5 miles an hour which gravely injures Mum and as the daughter runs to the house for help, the car explodes into flames and -- POOF! -- instant orphan. Uncle just happens to be a doctor, and his prescription has nothing to do with calling the cops. He orders the poor girl heavily medicated, for her own good of course. What happens after that is a series of weird visions, kissing cousins and the feeling that the poor girl's good health isn't the order of the day.


I have to give this film credit for being wonderfully shot and the wardrobe master found some incredible outfits for Ms. Glendenning. It had all the qualities of a good Gothic tale, but it somehow went wrong. Not sure when or where. And the ending...well, you should have counted on it from the opening bit of exposition. Even though nothing of great importance happens in the film, it still moves at a rather decent pace and even when it slows down, you can still look at the heroine of the film. She looks like a variation on Catherine Zeta-Jones...um, Douglas.

What does seem unfortunate about this particular version, released through BCI's Exploitation Cinema series, is that it appears that quite a bit of the gore has been trimmed. In a rather film of this nature, snipping even a few seconds of anything can lead to a loss. When you see something happen and the film seems to jump to an after-the-fact bit of blood, you start wondering what the hell you missed. The storyline, such as it is, doesn't seem to suffer, but I rather enjoy seeing all the icky bits.


So, bottom line, buying this film on the double feature with director Norman Warren's later feature, "Terror", is questionable. It can be had for ten bucks and you get some cool trailers mixed in if you watch the thing as a grindhouse double feature, but considering BCI (which is being resructured and may make the next comment moot) tends to re-release their features in 8- and 20-film sets for $10 to $20, you may consider holding out to get more bang for your buck. Personally, I wish I had bought "Chinese Hercules". Oh well.

This Was Never In The History Books

When I was growing up, my dad pretty much was in charge of what we watched on television. After all, he did bring home the paycheck. He did pay for the TV. It was his house. So, for many, many years, we were treated to whatever Western happened to be on. We sat through John Wayne, James Arness, Chuck Conners, Henry Fonda, Kirk Douglas and pretty much anyone else who slapped on a cowboy hat and pulled a gun, whether it was a TV series or a movie.

I hated Westerns. Everything was dusty. Everyone looked sweaty. Someone was always gunning down the poor, simple folks. I was a poor, simple folk, and I didn't like to be sweaty, and I didn't like dusty hot climates. Plus, it seemed like there was ALWAYS a Western on. We only had three channels, for the love of God! How in hell could there be that many Westerns?!?! Of course, it didn't help that one local channel seemed to show The War Wagon every other week, and Dad just HAD to watch it.

Dad passed away a number of years ago. I still didn't like Westerns, but the fact he seemed to love those damned things stuck with me all of these years. About ten years ago, I made up my mind to sit down and watch The Good, The Bad and The Ugly. This one movie was THE movie my dad raved about. Every time they showed it on TV, it took nearly four hours. Why in hell would I want to watch cowboys for four hours when I could be reading my monster magazines? Anyway, I sat down to watch this thing, fully expecting to give up less than halfway through. I loved every minute of it. It was dark, full of seedy characters and sudden violence, and not one glimpse of a moral compass to be found. I fell in love with the "Spaghetti Western".

Of course, you CAN find the Clint Eastwood Italian Westerns at reasonable prices. Heck, go to your local Wal-Mart and you can score the "Man With No Name" trilogy at five bucks per movie. But this is the Bargain Basement, and we want volume at low overhead. Once again, Mill Creek Entertainment comes to the rescue. Well, rescue may not be the best word. They deliver the goods. As I'm always quick to point out, it isn't Mill Creek's fault that a lot of the movies they can afford to put on these compilations are, well, iffy; they are just out to give you lots of movies for a minimal price. And deliver, they do, with the 20-movie pack Spaghetti Westerns. No Clint, sorry. But you do get Lee Van Cleef in few from his "I'm waiting around to play a ninja with one of the Van Patten kids" era.

On the downside, you get the reason we are gathered here today: Apache Blood. Now, there are those who would tell you that this is THE worst Western ever made. These misguided folks have apparently never seen HAWMPS!, which is probably best for everyone involved. Apache Blood is, at best, a good-intentioned attempt at a stream-lined tribute to the Italian ideal of the Western. At worst, it is poster child for retroactive film abortions.
The storyline, such as it is, has Yellow Shirt (played by Ray Danton, the only star in the film), apparently an Apache warrior, hell-bent on wiping out the white folks for having slaughtered the village he was a part of. Okay, mainly soldiers, but I don't think he'd pass up a group of tourists. As soon as the cast is made aware of his presence in their area, you know that you are looking at a cast of victims. This could have gone the route of the slasher flick, and that actually would have been an interesting premise. Nope. The soldiers are dusted off within the first 20 minutes or so. We end up with a mountain man who had helped the soldiers but was left for dead after the single most guffaw-laced bear attack on film being chased across the countryside by Yellow Shirt and his buddies. No, it isn't as exciting as it sounds. Ants trying to get a leaf into their nest is more action-packed. Dead ants under that leaf are more exciting.

What is it exactly that makes this film so...um, well...uh...lame? It is an action film at its heart. What action there is, it just sort lays there. You should be wondering how the mountain man is gonna get out of the next mess, but you find yourself thinking about the leftover meatloaf in the fridge. You should be hoping the poor Native American rights the wrongs heaped on his people, but you start thinking you might need to mow the yard one more time before autumn hits. You just want someone to die so you can move on to something better, like Spice World or, for the love of God, Can't Stop The Music.
Apache Blood attempts to redeem itself in two ways. The first is the feeling of trying to say something about race relations and personal motivations and how we all are basically the same on the inside and that what makes one person a savage makes another person a righter of wrongs and...what the hell am I getting at? That pretty much sums up the intellectual underpinnings of this film. The other way they try to win you over is through blood. Notice I say that they try. I'm sure there exists a pristine copy of this film somewhere that has ample blood to even out the utter waste of time the rest of this film happens to be, but the version we are offered here seems to be heavily edited. When they recap the highlights of the film at the end (I recommend jumping ahead to this and bypassing the rest of this shit storm), you get to see more blood than you saw in the entire running time.
Is it worth your time? Really, would I waste this much time stomping it under my feet if it had any qualities that would make it worthwhile? Yeah, I would. Watch it at least once, but just beware of what you are walking into. It is one of those landmark pieces of crap that make you say, "If I see anything worse than this, I'm not going to finish it. I swear." But your loved ones will have already vacated the area, and will have removed you from their wills.

Fenomenal Is Fundamental!!

Ah, the simple pleasures of the superhero genre. Good guys, bad guys, ass-whuppings, cool trinkets, incredible costumes, mysterious women. All these things make superheroes and their kin interesting.

Someone should tell Phenomenal about all of that stuff, and then he'd be cool, too.

I grew up with superheroes. Batman and Spiderman were always my favorites because they seemed more human. One well-placed bullet, and they would be dead. Yet they escaped death on a regular basis and proceeded to save the day. It was always black and white when I was a kid, and these costumed heroes always knew what side to be on.

In Europe, they had grown bored with standard tales of good versus evil. What if the heroes weren't so sure what was right? What if we stopped rooting for the heroes and started rooting for the villains? These were questions too complex for a kid who could barely figure out how his favorite horror magazines made it to his local drugstore so he could buy them every month. Tales of these movies crossed my path, but how could you make a movie about a bad guy and make him the hero, I wondered.

Well, if you happen upon Danger: Diabolik, you can see that rooting for the bad guy can be fun. Master criminal showing up the people who think they are so moral and upstanding. Pure entertainment. Excitement, action, cool costumes, groovy chase scenes and alluring women. Yup, all the things the superheroes promised with the added thrill of being naughty. The stuff teen-aged boys dream of.

I'm not here to do a breakdown of all of the European anti-heroes who donned capes or costumes. I'll leave that to the folks who want to read far more into their movies than I do. I will go on record as saying Phenomenal and the Treasure of Tutankamen does to the European comic book anti-hero, or the fumetti genre, what Adam Sandler does to comedy. What would that be? you ask. Ruin it.


If you scan for other reviews of this film, you will find most of them like the first few minutes of the film. Phenomenal kicks the snot out of a boatload of guys while his turtleneck is pulled over his face. He laughs like a loony after every seaman falls. Hokey but fun. It turns out the boat was involved in a drug smuggling setup. Hooray, Phenomenal can kick ass AND he's a good guy.

Now you can forget about Phenomenal. You won't see him for at least 20 minutes or more, and then it is only for a second or two while he watches a bad guy steal something from a museum. But don't be alarmed. You'll be treated to inane dialogue that is poorly dubbed. You'll meet a bewildering array of characters. You'll watch as Paris grinds to a halt the second a bike-load of baguettes falls to the sidewalk, and a cop directing the insane traffic leaves his post to check on the condition of the bread. To hell with safety, there's baked goods on the ground! You'll watch crosses and double-crosses and triple-crosses until you don't give a flying fart because you just want to see Phenomenal kicking some more ass.

As Westley said in The Princess Bride, "Get used to disappointment." Oh, sure, the guy in the dopey all-black costume shows up, only to have people throw themselves at his fists until they get tired then they just fall down. And that cool laugh...eh, you hear it once, maybe twice. No cool trinkets. The women are okay. The whole thing is kind of like filming Superman with Woody Allen in the costume.

As for the secret identity of Phenomenal, forget it. If you can't pick out the guy who dons the black duds the second he hits the screen, you really should just stop the movie and go play with some Tinker Toys or something. Just don't get any splinters because you'll most likely let it abscess, and you'll die of blood poisoning.

I'll admit that I'm being a bit hard on this film. There is one delight within the whipped confection of pointlessness, and that is the music. Don't just trust me on this. Go to Moviegrooves.com and hear for yourself. In fact, I'd recommend buying the soundtrack and bypass the movie completely. Unless you just really have to watch the hero get outted by customs at the end of the film, as if we didn't already know who he was.

It would seem that Video Asia's Grindhouse Experience really did scrape the bottom of that Dumpster behind your local choke-n-puke joint to find these films. Better luck next time, we hope.

Death-Dealing Dumbass

A friend of mine, many years ago, said, "Every red-blooded American boy wants to grow up to be James Bond." At the time, I shrugged, thought about how I always wanted to be Lancelot Link, tried really hard to bridge the intercontinental weirdness his comment made in my head (like saying every liberal prays for the death penalty) and turned back to watching the Oklahoma sun bake the ground outside. Every time I see a James Bond film, I think of that comment. I've always had my doubts.

Until now.

It would seem that every young boy, including African-American boys, wants to be James Bond. The adventure. The foreign locales. The sexy women. All of those pretty, deadly gadgets. And guns, lots and lots of guns. Apparently David Broadnax wanted to be James Bond so bad that he created a movie in which he could play a very similar character. There are adventures. And foreign locales. And sexy women. And guns and gadgets. It would seem Broadnax had everything to make his James Bond fantasy come true. He forgot something.

It has to be interesting.

Enter Mister Deathman. I'm not opposed to vanity pieces when it comes to films. In the right hands, they can be entertaining as well as revealing. Charlie Chaplin comes to mind. But Mr. Broadnax just wanted to be the biggest, baddest dude to stride across a film set. And, well, he just didn't have it in him.

You have Broadnax as Graves, a top something-or-other who can outrun, outfox, outshoot, outsmart -- blah blah blah -- everyone. He's recruited to recover a scientist who may be delivering up important scientific secrets to the mysterious Mister Zee. After many threats to his life, he uncovers a conspiracy of global proportions. Can he overcome the odds and save the world? Feh. Can he keep me from drinking myself into a stupor? That's a more pertinent question.

As much as I love craptastic films, I find myself groaning at this stuff more and more as I get older. Prime examples of scenes to make you want to throw your pizza at the screen: They attempt to capture Graves by slipping him a bottle of drugged whiskey. But the seal has obviously been broken. This organization has wracked up millions and millions of dollars to finance their global domination, so you'd think they could find a way to tamper with a guy's booze without being so stupid about it. And then there is the scene in which Graves picks a lock with a long needle held between his teeth while he's being swamped by the incoming tide. I can't even bring myself to think about that scene. Or how about when he sprays down two armed thugs with a fire extinguisher. Okay, paper beats rock, rock beats scissors and a gun beats a damn fire extinguisher any day.

I've actually read commentaries in which people compare this cinematic abortion to Guy From Harlem. At least Harlem had the discreet charm of showing people throwing themselves at the main charcter's fists. Deathman has people quake in fear just because the "hero" swaggers into camera range. They must have, because all the bad guys in this movie have guns, and half the time Graves doesn't. Why didn't someone just freakin' shoot the guy?!?!?!

Other oddities to take note of in this film: Why does the guy who hires Graves have all his dialogue poorly dubbed when Graves sports a voice more girly than Cyndi Lauper? Why do the bad guys send a muscle man after Graves, but they let him tell Graves what is about to happen instead of just freakin' killing him? Why do they chain Graves to rocks to die instead of just freakin' killing him? Why does everyone pronounce NASA as if it is an Italian word for "nose"? And, for the love of God, why do they show you the end of the movie AT THE BEGINNING?!?!?!!!!

I conked out during this little gem around the fifth or sixth time Graves "lets" himself get captured. He seems to be better at doing that than dealing death. Sadly, the pizza delivery person woke me up and I had no good excuse for falling asleep again. Damn you, Pizza Hut!

Actually, you could do worse. You could watch a Bill Rebane movie. I notice VideoAsia didn't add any of his trash to their Grindhouse Experience collections.

Grindhouse? More like Craphaus!

For those of you who shy away from the low-end of the cinematic gene pool, let me offer up a suggestion for getting your feet wet. JUMP IN! Yeah, that's right. Jump in, right over your head. You'll panic. You'll freak for a few moments. But when your head breaks the surface, you'll then realize you just dove into a swimming pool full of sewer water. Trust me, once you get used to the smell, you'll find yourself being amazed at the variety of turds you can find in that over-sized punch bowl.

A prime way to dive in is with VideoAsia's Grindhouse Experience. There are two volumes of this series out. Both have 20 movies that you probably never heard of and, well, to be honest, you couldn't really care less if you ever did, unless you are used to swimming in the sewer water of cinema, and then these fecal chunks have a touch more character. So, with this installment, which is already mired in bad taste due to so many scatological asides, let's focus on the first volume and pick a nasty bit of bowel displacement called Demon Witch Child.

Now, as you know from my last posting about Devil Times Five, I'm not a fan of children as a rule. So you can imagine a movie in which a child is possessed would fall low on my "I loved it!" meter. Ah, but you would be wrong. Allow me to explain.

This film, a Spanish production from the mid-Seventies, sought to capitalize on the whole Exorcist routine that was popular at the time. Everyone and their dog was pumping out bile-spraying, anti-Catholic profanity-spewing movies to cash in on the popularity of the film version of Mr. Blatty's novel. Italy was the primary source for a lot of this nonsense, and while the country IS Catholic for the most part, there was this whole undertone of thumbing a collective nose at the primary religion.

Now Spain, they seemed to be a bit more inclined to view any breach of the religious norm as a deviance in Life itself. In this film, the possession comes about at the hand of a band of Gypsies. They get such a bad rap in this movie that you can begin to understand why they claim to be persecuted along the lines of the Jews. In fact, if you watched this movie, you'd begin to think Gypsies are the spawn of Satan Himself. They seem to exist only to subvert the holy mission of The Church. Maybe they are, but when I was raised by a band of them, they were nothing but kind to me. Okay, so I wasn't raised by Gypsies. Still, they are treated like scum in this movie. So what if they kidnap a baby for a blood sacrifice to Satan? At least the kid is earning his keep.

How in Hell does any of this relate to kids, you may be asking. When the old Gypsy ringleader of the coven nosedives out the window, her spirit is sent to inhabit the body of the police commissioner's young daughter. The sweet, wholesome child seems to be perfectly okay with taking the ugliest trinket from a weird Gypsy woman, so she basically had this coming. As little Miss My-Poo-Doesn't-Stink, I didn't like her. Once she cuddles up with the Devil's toy, she cops an attitude as big as the outdoors. Then she becomes interesting.

Yes, I understand, she offers up the standard possession antics. She just looks so cute calling the self-important priest a faggot. And when she castrates her governess's boyfriend, she shows that even young teen girls have Girl Power. The only low point comes when she unleashes a plushie attack on one of the many servants in the household. What the Hell is so diabolical about being pelted with stuffed animals? Some people actually find it sexually stimulating. I guess even wicked Gypsies can have a bad day. In the end, the kid, with her eyes practically on opposite sides of her head, still makes you think that Nabokov had something going when he wrote Lolita. Except she didn't spew anti-Christian obscenities. Or show her panties to the camera while crawling upside-down on the outside of the house she lives in.

Is the movie any good? It has cheap thrills. It moves at a good pace. It doesn't leave any bad after-taste, unless you are a hardcore Catholic. It does sport a weird sub-plot about the uptight priest that leaves you wondering if you should root for him or wondering if he really is a mincing homosexual as the little demon witch child suggests. Plus, you get to see a baby sacrificed. When was the last time you saw that, huh?

Worth checking out if you've bought the Grindhouse Experience set on its own merit or because you just had to have a bad VHS reproduction copy of The Children. Everyone else, out of the sewer water pool and hit the showers.

This stinker has also been released on video as The Possessed. The cover has been added for those of you who think this blog is written in a vacuum. We can Google, too.

The Devil Does Math!

I don't like kids. Sue me. Okay, they have their uses, like shielding yourself from a sniper's bullets or tossing to rabid pitbulls to save yourself. And don't use that argument of "You used to be a kid once" with me. Yeah, I was, and I still didn't like other kids and wasn't too crazy about myself.

How to defend my argument? Okay, how's this? Your local Wal-Mart at 11:30 a.m. on any given Saturday and especially around Christmas. Top that. You can't. Screaming, shoving, rudeness, food dribbled down the front of clothes and that faint smell of rot. Okay, that describes the parents as well in Wal-Mart, but the third time within ten minutes one of those little poop factories lets loose with a shriek that could shatter glass as well as your last taboo against infanticide, you'll be looking for a Louisville Slugger bat with the intent of using the little wankers as human T-ball stands.

Further proof? Okay. Sit down. Let me pop in this DVD. Now watch and learn. Yeah, it's a horror movie. No, sit the hell down and watch. I know this is boring, but trust me, something is about to happen. Okay, there. What do you mean you don't understand? The kid has a pitchfork. That little bitty girl has a hammer. Ah, yes, now you understand. Five kids beating an adult to death, slowly. What? Yes, that seemed like a very long beating death because it runs damn near five minutes. And that is just the first person to die at their hands. Yes, you can go scrub with hot water, but you can't get the stench of evil children out of your skin.

What am I talking about? My ultimate proof of the ultimate evil of children. Devil Times Five is one of those little films that, when you hear the premise, you laugh it off. Then you watch it. Bad mistake if you want to walk through life with your head in the clouds about those little moppets. You'll feel a chill when you look up to see a child giving you one of those utterly blank stares. You won't want to be in a room alone with more than one of them. Peace of mind is gone, my friend. Innocence has been lost.

A group of dopey adults who probably don't deserve to live beyond the film's 90-minute running time isolate themselves in a mansion miles from civilization and surrounded by miles of very, very deep snow. What they don't know is that a van full of deeply disturbed children has just ran off the road. (More evidence of their evil: they survive the van rolling down a hill with all of the doors wide open, and not a one of them happened to be wearing harnesses that would make the safety restraints in NASCAR look flimsy. Only pure evil could have survived.) So everyone starts converging on the snow-locked mansion. One throwaway adult character knows how evil children are, and he tries to stop the little bastards, but he gets beaten to death...for a very long time. Long enough that you start to feel awkward and a bit uncomfortable. This guy knew they were evil, and look what happened to him. What do you think is going to happen to the unsuspecting adults?

Okay, you're thinking that since this has a young Leif Garrett who dons dresses and lipstick to a stunning and creepy effect, it has to be great Mystery Science Theater 3000 material in the making. It has a catfight between two lovely women in scanty clothing, so it ought to be fun and sexy. It has a lovable mentally challenged man who talks to his pet rabbits, and that means wholesome entertainment. Go back to your episodes of Davy and Goliath. You aren't ready for this.

Lots of murders by utterly detached children. Brutal and sick murders, like the simple-minded handyman getting strung up by very thin wire pulled tight by a generator or the lady burned to death while trying to profess a desire to love and care for one of the children. It is the kind thing that leaves you slack-jawed and more than a bit uncomfortable in your own skin.

And then the little hellions dance and play and frolic as if there isn't a bloodied body mere feet away. You almost can join in with their seemingly innocent games until reality creeps back in and you remember the piranha in the bathtub scene or the throat slashing bit. Yup, you should disassociate yourself from these creatures, unless you feel like burning the neighbor's house or torturing an animal. You don't feel like doing things like that, do you? However, if you should feel the urge to bitch-slap any child that comes within your reach after watching this film, then, please, enjoy the minor thrill of victory, until they gang up on you and tear you literally to pieces.

Don't say you weren't warned.

This movie can be found in a few places. Check out Code Red for a very nice version with commentary and extras. If you are cheap, then check out Mill Creek Entertainment's collection Demons & Devils. You can also find it on some public domain bit-torrent sites, but you are on your own with that kind of thing.

Psychotic Cycle Sluts Sell Silliness

Did you ever see something for sale that made you think, "I want half of that, but I don't know as though I want the other half."? I do that with marshmallow-coated popcorn. I want the packets of marshmallow yumminess, but I don't really care for the popcorn.



Much like that dilemma, a number of years back, I found a Goodtimes VHS that had Alice, Sweet Alice on it. I had wanted to see that film for years as it was supposed to be a classic slasher flick (and it is better than classic, so go buy the DVD--NOW!!). But, on the same tape was what looked like a biker film called Psychomania. I like weird stuff as much as the rest, but I have never had a soft spot for biker films. I've watched a fair share of them, and some I even enjoyed more than the Doritos I ate while watching, but they leave me cold for the most part. So I debated buying this double-feature tape. But images of Paula Sheppard kept dancing through my head (go find Liquid Sky to understand my mania), so I bought the thing.


The first copy proved to be too weird even for my tastes, though I wish I still had it. There was an alternate audio track that played alongside the regular track and the distorted second track made the tape sound like it was possessed. Once swapped, everything worked fine.



I saw leather-clad Brits on Triumph motorbikes raising hell. I saw seances and frogs. I saw contracts with The Devil. I saw a guy from Doctor Who. The whole thing left me thinking, "Alice? Alice who?"




A delight in utter insanity from the opening shots of motorbikes weaving through a Stonehenge type locale. The basic story? A rough cycle gang called The Living Dead learn that they can kill themselves and return from the dead, just so they can be delinquents who can't die. The baffled police, who can't find their lily-white English arses, attempt to put an end of all the tomfoolery.



The tone is over the top, and if you take any of it serious for a second, go watch your Grey's Anatomy box set and leave the crap films to the real fans. My personal point of interest, other than the gleeful weirdness, is (you can see what's coming) the main female love interest in the film. I admit to an almost fetish-like interest in British women. It isn't the accent so much as how they can be quite plain looking yet come off as utterly sexy. So I carried away from this film, on my first viewing, the image of Mary Larkin, the poor girl known as Abby in this film. Almost looking like a boy, but still being attractive to the point of distracting me from the film's finer lunacies. As you can see from the included photos, she has aged into a very handsome woman.



Drooling aside, let's get down to business on the bargain end of this little number. A few years ago, there was, as part of the Euro-Shock Collection, a release of this film. I'm sure it was a very nice release, but I couldn't tell you because the thing sells for 50 bucks. Oh yeah, it has gone out of print and the greedy folks are out to milk that for all it is worth. But, my cheap friends, this is hope. Geneon, an offshoot of Pioneer, has been releasing some seriously weird films in bargain editions the last few years, and they have Psychomania in their catalog. The print is very clear. The sound is decent. But if you saw this through the Goodtimes edition, you will be thinking you are missing something, and you would be right. The Geneon edition is missing a seance sequence near the beginning that sets the tone for the supernatural storyline that follows. Frankly, I thought the scene slowed the film down when I originally saw the movie. Still, I would have liked to have bought a complete version, but it in no way takes anything away from this $6 little gem. Go forth and buy it.





And hands off Mary Larkin, mates, she's mine. Just don't tell me girlfriend.

Back From The Dead

Damn, it's been along time. Amazing how time zips along. But, enough of my feeble excuses.

No film reviews this time around. Just an announcement that the blog is NOT dead. Films have been stockpiled. Information sniffed out. And money spent. God knows how much money has been spent!

Okay, recent titles salvaged from the bargain bins:

Psychomania -- A strange British film with motorcycles, black magic and undead bikers. In other words, a must watch.

Mansion Of The Doomed -- A sickie with some big names. Well, big names if you are at least 35 years old or are a diehard fan of films made before Quentin Tarentino. A doctor, eye surgeries and people in cages!

House Of Seven Corpses -- Nathaniel Hawthrone is spinning in his grave over this title. Another horror film from the 70s with fading film stars playing fading film stars making a horror film. Kinda like standing between two mirrors and watching your reflection repeat itself into infinity, which is how long this film seems to last. But you get a cat ripped in half, so it gets a thumbs up from the folks at PETA.

Okay, that's enough. We'll cover these and others in more depth. Plus, check out the good folks over at Badmovies.org. Yeah, yeah, I'm promoting a crap film site on my crap film site. The gent who runs this site has done wonders with it. You'll spend hours just reading the forum postings. Which is more time than you'll spend here. Just go. Like your insecure girlfriend, I'll still be here, if you decide to come back.

Oh, Bloody Hell!!

Today's bit of cinematic wonder is a classic. Well, it is one of those that scarred the memory of this adult child. Back when I was a wee lad, they used to run ads for movies on your local radio stations. Why? Because they were honest-to-god local stations, not corporate dumping grounds. Anyway, someone came up with the great idea of using the promo line of "Just repeat to yourself: It's only a movie. It's only a movie...." And this would repeat and fade out to reverb echoes. For a kid who spent three hours locked in the family bathroom because I was sure a monster was outside the door, this was Trauma City.

Honestly, I can't remember if that ad campaign was used with this movie, but it could have been. I remember seeing the ads for it in the paper alongside Three On A Meathook and Last House On A Dead End Street and similar gross out films from the time. So it has that stigma attached to it.

Yes, sleaze horror fans, we are talking about Scream Bloody Murder, made in 1971 and released around 1973. Do not confuse it with the beefcake/cheesecake slasher clone that came out a few years ago. This is the stuff that really matters to a true crap film fan. Like wine, crap films must age before they have any real flavor.

We start, rather abruptly, with a boy watching his father on a bulldozer. When the father goes to adjust something on the engine, the boy hops on, throws the thing in gear and flattens dear dad in a second. When his mom sees what he had done, he ends up coming off the bulldozer and his arm is crushed. Years later, sonny boy, with his new hook arm, is released (or escapes, which would have more fun) from the nut house after finding out his mother is getting married. See, sonny boy kinda has this warped love-thing going with Mom. And he isn't about to let anyone take Mom away from him.

Lots of people die, including a poor dog who just happened to be in the wrong house at the wrong time. The blood (there's lots of it) looks like they used red poster paint for the effect. It gives an already warped little film an extra touch of unreality.

Don't look for name stars. Don't look for Oscar-caliber acting. But do enjoy the icky weirdness that is shoveled about with gusto. But is it as unnerving as the old ads that I associate with this film? Nah. I generally rack up a few good laughs. Well, worth the the time. You can find it on two different releases from Mill Creek. The first is a 50 movie set called Chilling Classics (a great deal for 20 bucks), and the other is Mental Maniacs, which is released under Pendulum Pictures and the film is under the video release title of Matthew.

Defining The Crap Film Experience By Example

Everyone has seen bad movies. Admittedly, one's definition of what is "bad" can vary widely. I've actually heard people try to defend Xanadu, and if you haven't seen that movie to understand why they would defend it, let me offer this bit of advice: Some things are best left undisturbed. But then a lot of people thought Jurassic Park was great, and I personally thought it was the lowest point in the career of everyone involved, and, yes, I have seen Goldblum in Vibes.

We aren't here to discuss who is right about this film or that film. Our topic is "crap" films. What is a "crap" film, you might ask? What makes it different from a bad movie? Well, there are a lot of factors to consider here. Yes, they are all mostly subjective, but when I finish with you, I think you'll be able to scan your video rental shelves and be able to find a fine piece of "crap" to piss away your evening. And be aware that "crap" is not the same as shit. The film version of The Da Vinci Code is shit, but it will never be crap.

We shall use one of my all-time favorite "crap" films to make our point in this discussion. The film is Blood Mania, a twisted flick from the early 70's with Pete Carpenter leading us along as he does most of the work behind and in front of the camera.

Titles -- Okay, when I told you the name of the film we would be using as an example, you probably cringed or flinched or groaned. That is the first way to pick out a "crap" film. Titles can be very useful in figuring out what you are about to get yourself into. Now, a title like The Discreet Charm Of The Bourgeoisie really tells you little more than you are most likely not going to be watching car chases or large amounts of bloodletting. A title like Snake Eater pretty much tells you that your girlfriend/wife/gay lover will most likely refuse to sit in the same room with you as it plays across the screen. Blood Mania, Blood Freak, This Is Not A Test, Fury Of The Wolfman, They Saved Hitler's Brain, and Twisted Brain all pretty much set the tone for you before you even watch the first scene. So if the title has its own Cheese Factor built in, you may well have a "crap" film on your hands.

Budget -- This varies from film to film. Expect to see things happen in out-of-the-way places or deeply confined inside of a house. You won't see a car chase through the National Mall and you won't be seeing a gun fight take place on a busy sidewalk on Wall Street. You won't find yourself wondering where they spent the film's budget, but you might be wondering, "Couldn't they afford to crop out that damned boom mike?" No, they couldn't. Really. In Blood Mania, watch for the claustrophobic nature of the shots. You really don't see the actors doing a lot of exterior shots. And the few that were done look very, very crappy.

Stars -- Don't look for them. Oh, if you go back a few years, you'll find a handful of people who might be currently famous, but if they are in a crap film, you can bet they were young enough to jump at anything that offered two bucks an hours. And if you see a "star" from a few years ago (*cough*William Katt*cough*) in a crap film, you can bet their career has come full circle and they'll jump at anything that will keep them from Dumpster diving for dinner. Blood Mania sports the then-lovely Maria De Aragon. Wait, you claim you've never heard of her? But she went on to play Greedo in Star Wars IV: A New Hope. Yeah, I thought you'd remember.

Story/Plot -- You really are asking for a lot, aren't you? Oh, pray for something that actually makes sense. Legacy Of Satan had a great idea -- a woman targeted by a demonic cult as the perfect bride for its leader. Lots of potential. Just try to keep up with the randomness of the events in that film, and forget the ending. But they started with a great idea, which is usually the case with a lot of these films. Either that or they have a great image in their heads and decide to build a story around that one image. With Blood Mania, that one image seems to be in the scene in which Ms. De Aragon shakes her two major assets for the camera. Wait, that was one of my favorite images. Maybe it was the painting revealed in the climax. That image certainly sticks in your head. It has been stuck in my head since 1978 when I originally saw the film. Even now, after multiple viewings, that one image sticks and the rest fades

Coolness/Cult Factor -- You remember the kids in your high school who always seemed to be sitting alone at lunch and acted happy as clams to do so? That will be you when you start watching crap movies. You'll find no one will value your opinion on anything, except, maybe, junk food. Even fans of horror films tend to ignore these things as being beneath them. Even if they have no idea who Andy Milligan is, they will curl their collective nose up at the thought of watching one of his films. You are on your own and all alone. Do yourself a favor: Stop showering -- you can save money, and there will be no one to complain.

By now you should have a vague handle on what a crap film is. Just keep in mind that once you start down this path, you often become lost. You'll know you have joined the rest of us when you find yourself discussing the merits of anything made by Roberta Findley. You don't know who she is? Heh Heh Heh. Step this way, and I'll show you.

(Look for information on any of these actors and/or films at the wonderful Internet Movie Database http://www.imdb.com. It is the best friend of us crap movie fans because it never questions our film choices, and it never, ever asks for our Doritos.)